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Disturbing the Universe: Wagner's Musikdrama Paperback – September 11, 2021
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The Amazon No. 1 Bestseller
'Engaging, wry and topical' — The Wagner Journal
'A rattling good read. Vivid, colourful ... A valuable addition to any Wagnerian's library – highly recommended.' — Paul Carey Jones
'A great and necessary addition to the Wagner literature. Clever and clear without being intellectually boring.' — Matthew Rose
'A sensational tome. A perfect introduction to Wagner's complex world, but also completely engaging for the lifelong Wagner nut.' — Kenneth Woods, Artistic Director: Colorado MahlerFest
Wagner’s art refuses to stand still, declines to play by the rules and will not observe any of the social graces.
What is it that makes Wagner so endlessly powerful? So influential, seductive and repellent? So simultaneously creative and destructive? And why does it continue to shock, thrill and disturb all those who encounter it?
In Disturbing the Universe, David Vernon probes – in his incisive, provocative style – each of Wagner's mature works individually, from Der fliegende Holländer to Parsifal. He unpacks and interrogates the exquisite networks Wagner created through the radical development of opera into musikdrama.
Written in spirited and enticing prose, this book will appeal to Wagner addicts and connoisseurs as well as to novices and sceptics. It invites us all to look anew at a timeless and controversial art.
- Print length310 pages
- LanguageEnglish
- Publication dateSeptember 11, 2021
- Dimensions5 x 0.78 x 8 inches
- ISBN-101527299244
- ISBN-13978-1527299245
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Product details
- Publisher : Candle Row Press (September 11, 2021)
- Language : English
- Paperback : 310 pages
- ISBN-10 : 1527299244
- ISBN-13 : 978-1527299245
- Item Weight : 11.9 ounces
- Dimensions : 5 x 0.78 x 8 inches
- Best Sellers Rank: #253,989 in Books (See Top 100 in Books)
- #357 in Opera Music (Books)
- Customer Reviews:
About the author
David Vernon writes about literature and classical music, including on Shakespeare, Nabokov, Wagner, Mahler and, most recently, Beethoven. His next book, to be published in November 2024, will be on the symphonies and tone poems of Jean Sibelius, while future projects include a study of Yukio Mishima's novels.
He studied at Oxford University, before teaching English language and literature in China and Japan. After returning to Europe, he completed his doctorate on Shakespeare's tragicomedies at Freie Universität Berlin and taught for many years in London. He lives in Scotland.
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Reviewed in the United States on October 15, 2021
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Perfect for both the newcomer to Wagner's art, wondering quite what it is that makes Wagnerians swoon so much over these unique achievements in music and drama, or the long-standing Wagnerite who will glean fresh and fascinating new insights into the musikdramas (as Dr. Vernon calls them, and explains why in his introduction).
Each of the ten canonical works are given a chapter each, with a concise summary of the plots provided as an appendix. Both the contents of the music and the drama are considered, with some history as to their background and composition. The uglier sides of Wagner's personality are not ignored or played down, but neither is he portrayed as the irredeemable monster in some of the more hysterical books on him. But in a refreshing change, Wagner the revolutionary socialist is shown to cast a longer shadow on the works than many previous authors have perhaps engaged with. Although Lohengrin was composed during Wagner's radical Utopian Socialist (as Marx might've called him) phase, until now I'd never considered those views to be especially present in the work until I'd read the chapter discussing it.
This is an excellent addition in what has been a good couple of years for Wagner literature. This can be placed alongside Alex Ross's recent book Wagnerism and the Cambridge Companion to Wagner's Der Ring des Nibelungen edited by Mark Berry and Nicholas Vazsonyi as bringing fresh insights into Wagner's works, an essential addition to any music lovers shelf. Absorbing reading, and with a lovely dedication to a very fine exponent of Wagner's art, Karita Mattila.
However, like Dr Vernon's Mahler book 'Beauty and Sadness - Mahler's 11 Symphonies', there seems to be an issue - Dr Vernon does not reference his sources and fails to provide an index at the end of the book. This is unfortunate as referencing sources and providing an index can ensure the reader can go on and research further as well as being confident with the information thus read. I'm sure the information is true and reliable; but academic writers should have no problem in referencing sources and providing an index.
As with his Mahler book, should a revised edition be considered, may I suggest Dr Vernon provides a full referencing of sources and an index. By doing so, his books should receive full academic positioning.
Richard Wagner. Dr Vernon combines musical and textual analysis with a clear concise and very engaging exploration of these works which I believe will open them up to new audiences. For example his thoughts on the giant Fasolt as the first hero of the Ring got me to re-think this narrative of the Ring. He has an incredibly powerful and engaging prose style. I recommend listening to one of your fav recordings of each of Wagners works as you read Dr Vernon’s excellent and innovative analysis and thoughts. Highly recommend!